Some shoots need very little in the way of security. Others high-profile cast, sensitive subject matter, valuable equipment, crowded public locations need a real plan. We assess each production on its own risk profile rather than applying one template to everyone.
Where local authorities or police coordination is required, that relationship is already ours to manage one less thing for a visiting production to navigate cold.
Who This Is For
What’s Included
Dedicated protection scaled to a cast or crew member’s actual public exposure during the shoot — closer coverage for a public street scene, lighter coverage for a controlled interior set.
Advance liaison with local police and officials wherever a shoot benefits from it, using relationships already in place rather than a visiting production introducing itself cold.
Controlled access to sets and secure handling of gear, planned specifically around the moments equipment is most exposed location changes and breaks between setups.
Security plans built around the specific sensitivity of a project subject matter, location, and cast profile assessed together rather than a generic package applied regardless of context.
How It Works
We evaluate location, subject matter, and cast profile together.
A security plan scaled to what the assessment actually shows.
Police and local officials briefed ahead of shoot days.
Security team in place for the length of the shoot.
FAQ
No many shoots need very little. We assess your specific locations, cast profile, and subject matter first, and recommend a security plan (or none) based on that assessment rather than selling a standard package regardless of need.
Yes where filming in a public or crowded location requires police awareness or support, we handle that liaison directly, since it’s a relationship we already maintain rather than one a visiting production has to build from scratch.
Yes, dedicated protection for well-known artists, presenters, or crew is available and is typically planned around that person’s specific public exposure during the shoot.
As early as possible once locations and cast are confirmed a security plan built into pre-production is more effective, and generally less disruptive to the shoot, than one arranged reactively once filming has started.
Your Vision. Our Craft.
Tell us a bit about your project whether it’s a feature film, commercial, documentary, or high-altitude shoot and we’ll get back to you soon.